Digital CDs of Live Recordings from Concerts
CAROLINA BAROQUE
Top row, L to R: Gesa Kordes, baroque violin; Holly Maurer, viola da gamba; Barbara Blaker Krumdieck, baroque violoncello; Greg Pannell, baroque violin
Lower Row, L to R: Marian Wilson, baroque viola; Susan Bates, harpsichord; John Pruett, baroque violin; Dale Higbee, Music Director and recorders.
Chapel, St. John's Lutheran Church, Salisbury, NC. April 7, 2006.
To order any recording in the United States, please send check or money order made out to Carolina Baroque in the amount of $15 (includes shipping and handling). For international orders, please send $20 US Currency (including shipping and handling) to:
Carolina Baroque
412 South Ellis Street
Salisbury, NC 28144-4820
USA
E-mail: info@carolinabaroque.org
CB-101 – "The Great Mr. Handel"
CB-102 – "Three Baroque Titans and a Minor Master"
CB-103 - "Handel and His Contemporaries"
CB-104 – "Music of the French Court and Chapel"
CB-105 – "Solo, Double & Triple Concertos of Bach & Telemann"
CB-106 – "Bach & Handel: Baroque Prometheans"
CB-107 - "Songs and Sonatas of Handel"
CB-108 – "Bach and His Peers"
CB-109 –"Cantatas and Concertos of Bach"
CB-110 – "Bach & Handel: Baroque Masters"
CB-111 – "Viva Voce! Two Mini-Operas by Handel"
CB-112 – "Bach: Music to Challenge the Intellect and Touch the Heart"
CB-113 – "Arias, Duets & Ballet Music from Handel’s Operas"
CB-114 – "Sacred and Secular Cantatas of J. S. Bach"
CB-115 – "Bach Arias, Duets and Chamber Music"
CB-116 – "Telemann and His Friends, Bach & Handel"
CB-117 – "Handel and His Peers"
CB-118 – "Music for Two Sopranos & Chamber Music by Handel"
CB-119 – "Handel Sonatas & Telemann Quartets"
CB-120 – "Sacred Music by Bach and Concertos by Bach & Telemann"
CB-121 – "German Genius: Bach & Handel"
CB-122 – "Bach, Handel, & Vivaldi"
CB-123 – "Music’s Golden Age: Bach, Handel & Mozart"
CB-124 – "Handel at the Opera House"
CB-125 – "18th Century Genius: Bach, Handel & Mozart"
CB-126 - "Handel and Italy"
CB-127 - "Baroque Masters: Bach, Handel, Monteverdi & Vivaldi"
CB-128 - "Bach Cantatas from Mühlhausen, Weimar & Leipzig"
CB-129 - "A Baroque Sampler"
CB-130 - "Sacred Bach Cantatas"
CB-130– “Sacred Bach Cantatas”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. October 16, 2009.  Carolina Baroque Teresa Radomski, soprano Lee Morgan, contralto Richard Cook, tenor Doug Crawley, bass-baritone John Pruett, baroque violin Susan Perkins, baroque violin Maureen Michels, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord & organ James Bates, conductor Dale Higbee, Music Director & recorder J. S. Bach: BWV 156, “Ich steh mit einem Fuss im Grabe” (I stand with one foot in the grave) Cantata for the third Sunday after Epiphany. Leipzig, 23 January 1729. BWV 622, “O Mensch, bewein’ dein Sünde gross” (Orgelbüchlein) (O man, weep for your great sin) (Little Organ Book) BWV 166, "Wo gehest du hin?" (Whither goest thou?) Cantata for the fourth Sunday after Easter. Leipzig, 7 May 1724. BWV 56, "Ich will den Kreuzstab gerne tragen" (I will gladly carry the cross-staff) Cantata for the nineteenth Sunday after Trinity. Leipzig, 27 October 1726. BWV 33, "Allein zu dir, Herr Jesu Christ" (In You alone, Lord Jesus Christ) (alto aria & final chorale only) Cantata for the thirteenth Sunday after Trinity. Leipzig, 3 September 1724 BWV 32, "Liebster Jesu, mein Verlangen (Dearest Jesus, my desire) Cantata for the first Sunday after Epiphany. Leipzig, 13 January 1726 |
CB-129– “A Baroque Sampler”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. May 8, 2009.  Carolina Baroque John Pruett, baroque violin Susan Perkins, baroque violin Marian Wilson, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorders Giovanni Gabrieli: Sonata for recorder, two violins and continuo Samuel Scheidt: Five-Part Dances Galliarde Courante Jean-Phillippe Rameau: Pièces de Clavecin Le Rappel des Oiseaux (Bird Calls) Tambourin (The Drum) La Poule (The Hen) Alessandro Marcello: Recorder Concerto in D minor Andante e spiccato Adagio Presto Henry Purcell: Instrumental Music from "The Fairy Queen" First Music: Prelude Second Music: Rondeau Act III: Dance for the Fairies Act V: Chaconne - Dance for a Chinese Man and Woman Françoius Couperin: Pièces de Clavicin, second livre Les Baricades Mistérieuses (The Mysterious Baracades) Les Bergeries (Pastorals) Le Moucheron (The Gnat) George Frideric Handel: Recorder Concerto in Bb major, HWV 301 Adagio Allegro Siciliana Vivace |
CB-128– “Bach Cantatas from Mühlhausen, Weimar & Leipzig”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. October 10, 2008.  Carolina Baroque Teresa Radomski, soprano Lee Morgan, contralto Richard Heard, tenor Doug Crawley, bass-baritone John Pruett, baroque violin Greg Pannell, baroque violin Marian Wilson, baroque viola Anne Sellitti, baroque violoncello Susan Bates, harpsichord & organ James Bates, conductor Dale Higbee, Music Director & recorders J. S. Bach: Leipzig Chorale Preludes for Organ: BWV 659, “Nun komm, der Heiden Heiland” (“Now come, Savior of the Gentiles”) BWV 667, “Komm, Gott Schöpfer, Heiliger Geist” (“Come, God Creator, Holy Spirit”) Cantata BWV 131, “Aus der Tiefen rufe ich, Herr, zu dir” (“Out of the depths, Lord, I call to you”) Mühlhausen, 1707 Cantata BWV 61, “Nun komm, der Heiden Heiland” (“Now come, Savior of the Gentiles”), Weimar, 1714 (Nos. 1-3 omitted) Cantata BWV 132, “Bereitet die Wege, bereitet die Bahn!” (Prepare the ways, prepare the road!) Weimer, 1715 – soprano aria Cantata BWV 22, “Jesu nahm zu sich die Zwölfe” (“Jesus took unto Him the twelve”) Leipzig, 1723 Cantata BWV 159, “Sehet! Wir gehn hinauf gen Jerusalem” (“Behold, We go up to Jerusalem”) Leipzig, 1729 |
CB-127– “Baroque Masters: Bach, Handel, Monteverdi & Vivaldi”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. May 2, 2008.  Carolina Baroque Mary Mendenhall, soprano Teresa Radomski, soprano John Pruett, baroque violin Greg Pannell, baroque violin Nicolae Soare, baroque violin Marian Wilson, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorders Claudio Monteverdi: "L'Orfeo: Favola in Musica" Toccata (Radomski, drum) Prologue (Radomski) Claudio Monteverdi: "Quarto scherzi delle ariose vaghezze" "Si dolce è il tormento" (Mendenhall) "Ohimè ch'io cado, Ohimè" (Radomski) G. F. Handel: "A Voluntary or a Flight of Angels in C major," HWV 600 (Harpsichord Solo) Antonio Vivaldi: Concerto in B flat major for recorder, violin, strings & continuo, RV 548 G. F. Handel: Opera "Giulio Cesare in Egitto," HWV 17 Act 2, Scene 2: "V'adoro pupille" (Caeser - Radomski; Cleopatra - Mendenhall) Act 2, Scene 2: "Se in fiorito ameno prat" (Caeser - Radomski) G. F. Handel: Opera "Ariodante," HWV 33 Act 2, Scene 10: Entrée des Songes agréables G. F. Handel: Opera "Sosarme," HWV 30 Act 1, Scene 11: Recit. "O Diva Hecate" (Elmira - Mendenhall) Act 1, Scene 11: Aria - "Dite 'pace' e fulminate, crudi Cieli!" Act 2, Scene 8: Duet - "Per le porte del tormento" (Sosarme - Radomski) J. S. Bach: Concerto in C minor for recorder, violin, strings & continuo, BWV 1060 |
CB-126– “Handel and Italy ”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. April 13, 2007.  Carolina Baroque Mary Mendenhall, soprano John Pruett & Greg Pannell, baroque violins Marueen Michaels, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorders Tomaso Albinoni: Recorder Concerto in D minor, Opus 9, No. 2 Domenico Scarlatti: Harpsichord Sonata in E flat, K. 370 Domenico Scarlatti: Harpsichord Sonata in E flat, K. 371 G. F. Handel: Cantata "Aci, Galatea e Polifemo," HWV 92 Aria: "Qui l'augel da pianta in pianta in lieto vola, dolce canta cor che langue a lusingar. Ma si fa cogion di duolo sol per me che affitto e solo, pace, o Dio, no so travar." G. F. Handel: Cantata "Delirio Amoroso," HWV 99 Introduction: (Allegro) - (Largo) - (Allegro) Recitative: "Da quel giorno fatale" Aria (Allegro): "Un pensiero" Recitative: "Ma fermati, pensier!" Aria: "Per te lasciai la luce" Recitative: "Non ti bastava, ingrato" Aria: Lascia omai le brune vele, begro pin di Flegetonte." Recitative: "Ma siamo guinti in Lete; odi il suono soave degli Elisi beati." Entrée Minuet: "In queste amene piagge serene, da sè ridente nasce ogni fior." Recitative: "Si disse Clori; e se du'n sole estinto più no vide il bel lume, lo vide almen per fastasia dipinto." Minuet |
CB-125– “18th Century Genius:
Bach, Handel & Mozart ” Concert in West Market United Methodist Church, Greensboro, NC. March 18, 2007.  Carolina Baroque Teresa Radomski, soprano John Pruett & Greg Pannell, baroque violins Marian Wilson, baroque viola Barbara Blaker Krumdieck, baroque violoncello Susan Bates, harpsichord & organ Dale Higbee, Music Director & recorders J.S. Bach: Organ Chorale Prelude on "O Lamm Gottes unschuldig," BWV 656 Dobson Rosales Organ (1999) J.S. Bach: Suite No. 2 in B minor, BWV 1067, for recorder, strings & continuo W.A. Mozart: Concerto in D major, K.107, No.1, for harpsichord, two violins & violoncello J.S. Bach: Cantata BWV 30, "Freue Dich, erlöste Schar": Aria: "Kommt, ihr, angefochtenen Sünder" Chorale: "Eine Stimme lässt sich hören" J.S. Bach: Aria BWV 1127, "Alles mit Gott und nichts ohn' ihn" (Discovered June, 2005) G.F. Handel: Opera "Teseo," HWV 9 (London, 1712): Act I, Scene 3, Aria (Agliea): "De serbate, oh giusti Dei!" G.F. Handel: Opera "Rodelinda, Queen of Lombardy " HWV 19 (London, 1724-25): Act II, Scene 6, Aria (Rodelinda): "Ritorna, o caro e dolce mia tesoro " J.S. Bach: Cantata, BWV 151: Aria: "Suesser Trost, mein Jesus koemmt" Chorale: "Heut schleusst er wieder auf die Tuer" |
CB-124–
“HANDEL AT THE OPERA HOUSE”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. October 13, 2006.  Carolina Baroque Teresa Radomski, soprano Lee Morgan, contralto John Pruett & Greg Pannell, baroque violins Marian Wilson, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorders G. F. Handel Concerto Grosso in G major, Opus 3, No. 3, HWV 314 Opera "Julius Caeser in Egypt," HWV 17: Overture. 18th century harpsichord arrangement Opera "Almira, Queen of Castile," HWV 1: Act I, Scene 6. Aria (Almira): "Geloso tormento" Opera "Orlando," HWV 31: Overture. 18th century harpsichord arrangement Act I, Scene 9. Aria (Angelica)- "Se fedel vuoi chi'io ti creda" Act I, Scene 10. Recitativo (Orlando): "T'ubbidiro, crudele"; Aria (Orlando): "Fammi conbattere" Sonata in G minor, HWV, for recorder, two violins and continuo Opera "Rodelinda, Queen of Lombardy," HWV 19 Act II, Scene 7. Duetto (Rodelinda, Bertarido) - "Io t'abbracio" Opera "Radamisto" (1st version) HWV 12a Act II, Scene 12. Duetto (Radamisto, Zenobia) - "Se vive in te il mio cor" Ballet: Passacaille Opera "Alcina," HWV 34 Ballet: Menuet Opera "Berenice, Queen of Egypt," HWV 38 Act I, Scene 12. Duetto (Berenice, Demetrio) - "Se il mio amor fu il tuo delitto" |
CB-123
– “MUSIC’S GOLDEN AGE: BACH, HANDEL & MOZART”
Concert in Sanctuary, St. John’s Lutheran Church, Salisbury, NC. February 10, 2006.  Carolina
BaroqueTeresa Radomski, soprano Lee Morgan, contralto John Pruett & Greg Pannell, baroque violins Marian Wilson, baroque viola Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Cantata “Weinen, Klagen, Sorgen, Zagen,” BWV 12 Cantata “Die Elenden sollen essen,” BWV 75 G. F. Handel Oratorio “Theodora,” HWV 68, Part III: Air “To Thee each night and day.” Chorus “Oh Love Divine.” W. A. Mozart Adagio & Allegro in F minor, K. 594, for organ Gigue in G major, K. 574, for organ |
CB-122
– “BACH, HANDEL & VIVALDI”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. October 21, 2005.  Carolina Baroque Teresa Radomski, soprano Mary Louise Kapp Peeples, harpsichord John Pruett & Guy Oldaker IV, baroque violins Marian Wilson, baroque viola Gretchen Tracy, baroque cello Dale Higbee, Music Director & recorder J. S. Bach Concerto in F minor for harpsichord & strings, BWV 1056 Soprano aria from Peasant Cantata “Mer en neue Oberkeet,” BWV 212 G. F. Handel Opera “Rodelinda,” HWV 19: Aria “Ombre, piante, urne funeste” Opera “Berenice,” HWV 38: Aria “Chi t’intende?” Vivaldi Concerto in G minor, “La Notte,” Opus 10, No. 2, RV 439 Oratorio “Juditha Triumphans,” RV 644: Aria “Veni, veni, me sequere fida” Trio-sonata in D minor (“Folia”), Opus 1, No. 12, RV 63 |
CB-121 – “GERMAN GENIUS: BACH &
HANDEL”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. May 13, 2005 (2-disc set)  Carolina
BaroqueTeresa Radomski, soprano Nicolae Soare, baroque violin Gretchen Tracy, baroque cello Susan Bates, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Sonata No. 2 in D major for harpsichord & cello, BWV 1028 Easter Oratorio, BWV 249: Soprano aria “Seele, deine Spezereien” G. F. Handel Sonata in D major for violin & harpsichord, HWV 371 Soprano arias from “Chandos” Anthems: “O magnify the Lord” from Anthem No. 8, HWV 253 “God’s tender mercy knows no bounds” from Anthem No. 9, HWV 252 “Blessed is the people, O Lord” from Anthem No. 7, HWV 254 Opera “Partenope,” HWV 27: Aria “Io ti levo” Opera “Imeneo,” HWV 41: Arioso “Deh! m’ajutate, oh Dei!” Aria “Se ricordar ten vuoi” |
CB-120
– “SACRED MUSIC BY BACH AND CONCERTOS BY BACH &
TELEMANN”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. March 11, 2005  Carolina
BaroqueBradley Fugate, countertenor Glenn Siebert, tenor John Pruett & Nicolae Soare, baroque violins Marian Wilson, baroque viola Gretchen Tracy, baroque cello Susan Bates, harpsichord Stewart Carter, recorder Dale Higbee, Music Director & recorders J. S. Bach Cantata “Erfreut euch, ihr Herzen,” BWV 66: Recitativo (Dialogus) “Bei Jesus Leben freudig sein” Duetto “Ich fürch te zwar” Choral “Alleluja” Easter Oratorio, BWV 249: Adagio Aria “Sanfte soll mein Todeskummer” Recitativo “Indessen seufzen wir” Aria “Saget, saget mir geschwinde” Concerto in F major for harpsichord, two recorders & strings, BWV 1057 G. P. Telemann Concerto in A minor for two recorders, strings & continuo, TWV 52: a2 |
CB-119
– “HANDEL SONATAS & TELEMANN QUARTETS”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. November 12, 2004 Carolina
Baroque
John Pruett, baroque violin Brent Wissick, baroque cello & viola da gamba Holly Maurer, viola da gamba Susan Bates, harpsichord Dale Higbee, Music Director & recorder G. F. Handel Trio-Sonata in A major, Opus 5, No. 1, HWV 396 Suite No. 1 in A major for solo harpsichord, HWV 426 Sonata in G minor for viola da gamba & continuo, HWV 364b G. P. Telemann Quartet No. 4 in B minor (“Six Nouveaux Quatuors en Six Suites,” Paris, 1738), TWV: 43 h2 Quartet No. 6 in E minor (“Six Nouveaux Quatuors en Six Suites,” Paris, 1738), TWV: 43 e4 |
CB-118 – “MUSIC FOR TWO SOPRANOS & CHAMBER MUSIC BY HANDEL”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC April 16, 2004  Carolina Baroque Teresa Radomski & Marilyn Taylor, sopranos John Pruett, baroque violin Gretchen Tracy, baroque cello Susan Bates, harpsichord Dale Higbee, Music Director & recorders G.F. Handel Italian Duets for two sopranos and continuo: “Quel fior che all’ alba ride,” HWV 192 “Nò, di voi non vo fidarmi,” HWV 189 Cantata “Arresta il passo” (Aminta e Fillide), HWV 83 Trio-sonata in B minor, Opus 2, No. 1, HWV 386b Trio-sonata in Bb major, Opus 2, No. 3, HWV 388 |
CB-117
– “HANDEL AND HIS PEERS”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. February 20, 2004 Carolina
Baroque
Teresa Radomski, soprano Edward Ferrell, baroque flute & recorder Holly Maurer, baroque flute, recorder & violas da gamba Gretchen Tracy, baroque cello Susan Bates, harpsichord Dale Higbee, Music Director & recorders Art of Fugue, BWV 1080: Contrapunti I & III Birthday Cantata for August III, Elector of Saxony & King of Poland, BWV 206: Soprano aria “Hört doch der sanften Flöten Chor” Mass in A major, BWV 234: Aria “Qui tollis peccata” A. Corelli Sonata No. 2 in G major, the 2nd of “Six Concertos for Two Flutes and a Bass with a Thorough Bass for the Harpsichord Neatly Transpos’d from ye great Concertos of Arcangelo Corelli” (c. 1730) G. F. Handel Opera “Rinaldo” (First Version, 1711), HWV 7a: Aria “Augelletti che cantate” A. Scarlatti Quartettino in F major for three recorders & continuo D. Scarlatti Pastorale, K. 513, & Sonata in G major, K. 427, for solo harpsichord G. P. Telemann Musique de Table, II, No. 2 (1733): Quartet in D minor for recorder, two flutes & continuo |
CB-116
– “TELEMANN & HIS FRIENDS: BACH & HANDEL”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. October 17, 2003 Carolina
Baroque
Teresa Radomski, soprano Gretchen Tracy, baroque cello Susan Bates, harpsichord & organ Dale Higbee, Music Director & recorders Organ prelude, “Ich ruf zu dir, Herr Jesu Christ,” BWV 639 Suite in G major for solo cello, BWV 1007 Well Tempered Clavier, Book 2, for harpsichord: Prelude & Fugue No. 19 in A major, BWV 888 Prelude & Fugue No. 15 in G major, BWV 884 G. F. Handel Opera “Almira,” HWV 1: Recit. & Aria “Ach Schmerz!” “Chi piú mi piace il voglio” Opera “Giulio Cesare in Egitto,” HWV 17: Aria “Cara speme” Sonata in A minor for recorder & continuo, Opus I, No. 4, HWV 362 G. P. Telemann “Der Harmonische Gottesdienst” (1725-26): Cantata No. 4, “In gering- und rauhen Schalen,” TWV 1: 941 Cantata No. 45, “Durchsuche dich, O stolzer Geist,” TWV 1:399 |
CB-115
– “BACH ARIAS, DUETS & CHAMBER MUSIC”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. April 6, 2003  Carolina Baroque Teresa Radomski, soprano John Williams, bass-baritone John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord & organ Dale Higbee, Music Director & recorder J.S. Bach Organ prelude “Liebster Jesu, wir sind hier,” BWV 633 Cantata “Brich dem Hungrigen dein Brot,” BWV 39, Part 2: Bass aria; soprano aria; bass recit.; chorale Cantata “Tritt auf die Glaubensbahn” BWV 152: Bass aria; bass recit.; soprano aria; bass recit.; duet Cantata “Wachet auf, ruft uns die Stimme,” BWV 140: SB duet; S chorale; B recit.; duet; choral Mass in A major, BWV 234: “Domine Deus” Sonata in D major for harpsichord & gamba, BWV 1028: Adagio, Allegro Suite in D minor for recorder & continuo, BWV 997: Sarabanda, Fuga |
CB-114
– “SACRED & SECULAR CANTATAS OF J. S. BACH”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. April 28, 1996  Carolina Baroque Teresa Radomski, soprano John Pruett & Doris Powers, baroque violins Mary Frances Boyce, baroque viola Selina Carter, baroque cello Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders J.S. Bach: Cantata “Ich habe genug,” BWV 82a Cantata “Weichet nur, betrübte Schatten,” BWV 202 Cantata “Non sa che sia dolore,” BWV 209 |
CB-113 – “ARIAS, DUETS & BALLET MUSIC FROM HANDEL OPERAS”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. November 24, 2002  Carolina
BaroqueTeresa Radomski, soprano Lee Morgan, alto John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders G.F. Handel: Opera “Alcina,” HWV 34: Act II - Aria: “Verdi prati.” Recit. “Ah! Ruggiero crudel.” Aria: “Ombre pallide.” Opera “Giulio Cesare in Egitto,” HWV 17: Act I - Recit. & Duet: “Madre! Mia vita” “Son nata – son nato” Act III – Recit.: E pur cosi in un giorno.” Aria: “Piangero.” Duet: “Caro! Bella!” Opera “Rinaldo”, HWV 7a: Act I - Aria: “Cara sposa, amante cara, dove sei?” Ballet Music: Opera “Terpsicore,” HWV 8b: Sarabanda Opera “Il Pastor Fido,” HWV 8c: Sinfonia – A tempo ordinario (Allemande) Opera “Ariodante,” HWV 33: Rondeau; Entrée des Songes agreables Opera “Radamisto,” HWV 12a: Ballo: Passacaille |
CB-112 – “BACH: MUSIC TO CHALLENGE THE INTELLECT AND TOUCH THE HEART”
Concert in Sanctuary, St. John’s Lutheran Church, Salisbury, NC. April 28, 2002  Carolina Baroque Teresa Radomski, soprano Lee Morgan, alto Richard Heard, tenor John Williams, bass-baritone John Pruett, baroque violin Doris Powers, baroque violin & baroque viola Mary Frances Boyce, baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord & organ Dale Higbee, Music Director & recorders J.S. Bach: Cantata “Ich hatte viel Bekümmernis in meinem Herzen,” BWV 21, Part One Ricercar a 6 from The Musical Offering, BWV 1079, for organ Cantata “Himmelskönig, sei willkommen,” BWV 182 |
CB-111
– “VIVA VOCE! TWO MINI-OPERAS BY HANDEL” (2CDs)
Concert in Brendle Recital Hall, Wake Forest University, Winston-Salem, NC. February 28, 2002  Carolina Baroque Teresa Radomski, soprano Richard Heard, tenor John Williams, bass-baritone John Pruett & Mary Frances Boyce, baroque violins Doris Powers, baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders “Acis
and Galatea” (1718), HWV 49a |
CB-110
– “BACH & HANDEL: BAROQUE MASTERS”
Concert in Lincolnton Cultural Center, Lincolnton, NC. April 21, 2002  Carolina Baroque Teresa Radomski, soprano Edward Ferrell, baroque flute & recorder Holly Maurer, baroque flute & viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Cantata for the Birthday of Duke Christian of Sachsen-Weissenfels, BWV 208: Aria “Schafe können sicher weiden” Italian Concerto in F major, BWV 971, for solo harpsichord Sonata in G minor for harpsichord & viola da gamba, BWV 1029: Vivace Sonata in B minor for harpsichord & flute, BWV 1030: Largo e dolce G. F. Handel Overture-Suite from the Opera “Rodrigo,” HWV 5 Three Arias from “Rinaldo,” “Curiously Fitted and Contriv’d for Two Flutes and a Bass” (1711) Cantata “Pensieri notturni di Filli: Nel dolce dell’oblio,” HWV 134 Opera “Rinaldo,” HWV 7: Aria “Lascia ch’io pianga” Opera “Serse,” HWV 40: Recit. & Aria: “Frondi tenere” “Ombra mai fu” |
CB-109
– “CANTATAS AND CONCERTOS OF BACH”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. March 25, 2001 (2 CDs)  Carolina Baroque Teresa Radomski, soprano John Pruett, solo baroque violin & solo baroque viola Doris Powers, baroque violin Mary Frances Boyce, baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Cantata “Ich bin vernügt mit meinem Glücke,” BWV 84 Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht,” BWV 105: Aria “Kann ich nur Jesum mit zum Freunde machen” Cantata “Mein Herze schwimmt im Blut,” BWV 199 Concerto in A major for recorder, strings & continuo, BWV 1055a Brandenburg Concerto No. 5 in D major for harpsichord, recorder, violin & strings, BWV 1050 |
CB-108
– “BACH AND HIS PEERS”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. January 21, 2001  Carolina Baroque Teresa Radomski, soprano John Pruett, baroque violin & baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Cantata “Tritt auf die Glaubensbahn,” BWV 152: Aria “Stein, der über alle Schätze” Sonata in E major for violin & harpsichord, BWV 1016: Adagio, Allegro Sonata in G major for harpsichord & viola da gamba, BWV 1027: Adagio, Allegro moderato Dietrich Buxtehude Cantata “Singet dem Herrn ein Neues Lied” G. F. Handel Oratorio “Semele,” HWV 58: Air “Where’er you walk” Oratorio “Theodora,” HWV 68: Air “Bane of virtue” Johann Pachelbel Ciacona in D major for harpsichord G. P. Telemann Trio-sonata in E major for recorder, violin & continuo, TWV 42: E-4 Trio-sonata in F major for recorder, viola & continuo, TWV 42: F-3 |
CB-107
– “SONGS & SONATAS OF HANDEL”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. November 26, 2000 Carolina
Baroque
Teresa Radomski, soprano John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders Capriccio in F major for harpsichord, HWV 481 German Song No. 4, HWV 205: “Süsse Stille, sanfte Quelle” German Song No. 5, HWV 206: “Singe, Seele, Gott zum Preise” German Song No. 6, HWV 207: “Meine Seele hört im Sehen” German Song No. 7, HWV 208: “Die ihr aus dunkeln Grüften” German Song No. 8, HWV 209: “In den angenehmen Büschen” German Song No. 9, HWV 210: “Flammende Rose, Zierde der Erden” Suite No. 2 in F major for harpsichord, HWV 427: Adagio, Allegro Trio-sonata in C major (“Saul”), HWV 403 Trio-sonata in G minor, Opus 2, No. 2, HWV 387 Trio-sonata in D major, Opus 5, No. 2, HWV 397 |
CB-106-
“BACH & HANDEL: BAROQUE PROMETHEANS”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. November 7, 1999  Carolina Baroque Teresa Radomski, soprano John Pruett & Sylvia Arnett, baroque violins Mary Frances Boyce, baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders Cantata “Jauchzet Gott in allen Landen,” BWV 51 Concerto in D major for recorder, strings & continuo, BWV 1053a: Allegro Orchestral Suite No. 3 in D major, BWV 1068: Air G. F. Handel Concerto in G minor for recorder, strings & continuo, HWV 287 Concerto Grosso in D minor, Opus 6, No. 10, HWV 328: Allegro moderato Concerto Grosso in B minor, Opus 6, No. 12, HWV 330: Larghetto, e piano Sonata a 5 in B flat major, HWV 288: Andante Oratorio “Theodora,” HWV 68: Part I, Scene 5: Air “Angels, ever bright and fair” Part II, Scene 2: Sinfonia; Recit.: “Oh thou bright sun!” Air: “With darkness deep” Sinfonia; Recit.: “But why art thou disquieted, my soul?” Aria: “Oh that I on wings could rise.” |
CB-105
– “SOLO, DOUBLE & TRIPLE CONCERTOS OF BACH &
TELEMANN”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. March 14, 1999 (2 CDs) Carolina
Baroque
John Pruett, solo baroque violin & baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Doris Powers & Sylvia Arnett, baroque violins Mary Frances Boyce, baroque viola Dale Higbee, Music Director & recorders J. S. Bach Concerto in A minor for harpsichord, recorder, violin & strings, BWV 1044 Concerto in C minor for recorder, violin, strings & continuo, BWV 1060 G. P. Telemann Concerto in G major for viola, strings & continuo Concerto in A major for recorder, violin, viola da gamba, strings & continuo (Musique de Table, I) |
CB-104
“MUSIC OF THE FRENCH COURT AND CHAPEL”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. February 7, 1999 Carolina
Baroque
Teresa Radomski, soprano Richard Heard, tenor John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord & organ Dale Higbee, Music Director & recorders André Campra Cantata “Domine, Dominus noster” (Psalm 8) François Couperin “Le Parnasse or L’Apothéose de Corelli” 3rd Leçon de Ténèbres Motet for Easter Day Jean-Marie Leclair Trio-sonata in D minor, Opus 4, No. 3 Marin Marais Rondeau Allemande for viola da gamba & harpsichord from Book I (1686) Jacques-Christophe Naudot “Six Fêtes Rustiques,” Opus 8: Trio III: Gaiment Jean-Philippe Rameau Nouvelles Suites de Pièces de Clavecin (c. 1728): Fanfarinette Opera “Castor et Pollux,” Act 4, Scene 1: Aria “Séjour de l’éternelle paix” |
CB-103
– “HANDEL AND HIS CONTEMPORARIES”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. November 15, 1998 (2 CDs) Carolina
Baroque
Teresa Radomski, soprano John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders Thomas A. Arne Sonata No. 8 in A minor for harpsichord Song “Under the Greenwood Tree” Giovanni Bononcini Divertimento da Camera No. 6 in C minor for violin& continuo William Boyce Trio-sonata No. 2 in F major G. F. Handel Cantata “Donna, che in ciel di tanta luci splendi,” HWV 233: Aria “Tu sei la bella” Recit. & Aria “Ah! che troppo ineguali,” HWV 230 Trio-sonata in F major, Opus 5, No. 6, HWV 401 Trio-sonata in Bb major, Opus 5, No. 7,HWV 402 J. C. Pepusch “Corydon” from 6 English Cantatas, Book 1, for soprano, recorder & continuo |
CB-102
– “THREE BAROQUE TITANS AND A MINOR MASTER”
Concert in Chapel, St. John’s Lutheran Church, Salisbury, NC. March 22, 1998 (2 CDs) Carolina
Baroque
Teresa Radomski, soprano John Pruett & Doris Powers, baroque violins Mary Frances Boyce, baroque viola Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders J. S. Bach Cantata “Süsser Trost, mein Jesus kömmt,” BWV 151: Aria “Süsser Trost” Prelude in G major, BWV 902, for harpsichord Prelude in D major, BWV 936, for harpsichord G. F. Handel Motetto “Silete venti,” HWV 242 Giuseppe Sammartini Concerto in F major for recorder, strings & continuo G. P. Telemann Suite in A minor for recorder, strings and continuo |
CB-101
– “THE GREAT MR. HANDEL”
Concert in Brendle Recital Hall, Scales Fine Arts Center Wake Forest University, Winston-Salem, NC. February 2, 1998 Carolina
Baroque
Teresa Radomski, soprano John Pruett, baroque violin Holly Maurer, viola da gamba Daniel Hannemann, harpsichord Dale Higbee, Music Director & recorders G.F. Handel Antiphon “Haec est Regina virginum,” HWV 235 “Coelestis dum spirat aura,” Motet for the Feast of St. Antony of Padua, BWV 231 Oratorio “Solomon,” HWV 67: Recit. & Aria “Bless’d be the Lord.” “What though I trace each herb and flow’r” Sacred Concerto “Salve Regina,” HWV 241 Suite No. 3 in D minor for harpsichord, HWV 428: Presto Trio-sonata in F major, Opus 2, No. 4, HWV 389 Trio-sonata in G minor, Opus 2, No. 6, HWV 391 |